The Invisible Hand

"With The Invisible Hand, Ayad Akhtar solidifies the reputation he forged with Disgraced as a first-rate writer of fierce, well-crafted dramas that employ topicality but are not limited by it.... The prime theme is pulsing and alive: when human lives become just one more commodity to be traded, blood eventually flows in the streets."--Financial Times

"Raises probing questions about the roots of the Islamic terrorism that has rattled the world for the last decade and more."--New York Times

"A hand-wringing, throat-clenching thriller.... [that] grabs you and won't let go."--New York Magazine

"Confirms the Pakistani-American playwright as one of the theater's most original, exciting new voices.... In this tight, plot-driven thriller, Ahktar again turns hypersensitive subjects into thought-provoking and thoughtful drama. But here he also brings a grasp of money-big money-not to mention the market's unsettling connections to international politics."--Newsday

"Politically provocative.... A scary (and dreadfully funny) treatise on the universality of human greed."--Variety

"[A] tragically contemporary thriller.... There has been precious little activity on this front since Jerry Sterner's Other People's Money and Caryl Churchill's Serious Money.... Mr. Akhtar makes up for this oversight with a vengeance."--New York Observer

"[A] tense, provocative thriller about the unholy nexus of international terrorism and big bucks.... Akhtar...expertly decodes that vivid expression, 'blood money.'.... The Invisible Hand jolts along like a well-made caper flick.... But the taut plot is also a great setup for a fierce psychological match, and a useful colloquy on the American dollar as a force for good and evil.... [A] very telling, compelling play."--Seattle Times

"Whip-smart and twisty.... Akhtar offers a hostage tale that balances violence, humor and geopolitical critique, never losing its edge or letting us complacently root for one side."--Time Out New York