The Retreat

“A magnificently absorbing and haunting novel. . . . De Mariaffi’s spare yet deeply rich prose renders the isolation and claustrophobia of the mountains downright palpable. With a dabble each of Hitchcock thriller, cozy mystery, and domestic noir, The Retreat offers readers a most thrilling setup followed by a galloping sprint to the final page. What a terrifyingly fun read.”—Amy Stuart, author of Still Water

“A gorgeously written atmospheric thriller with hidden depths, The Retreat will have readers racing through the pages, trying to decide who to trust, until the chilling finale.”—Robyn Harding, internationally bestselling author of The Swap

“Take a group of artists, ambition, isolation, and violence, and add a twist of the coldest, snowiest winter you’ve ever known, and you’ll arrive at The Retreat. Yet de Mariaffi’s heart-stopping thriller is powered by more than suspense—Maeve, her resourceful main character, is a mother and dancer piecing her life together after an abusive marriage, and Maeve’s journey through the novel’s danger and betrayals becomes a genuine act of grace.”
 —Maria Hummel, author of the Reese’s Book Club x Hello Sunshine pick Still Lives

“This vivid, immersive story had me jumping at shadows. The isolated setting, the tension between the characters, the sense of danger unravelling in a place there is no escape from. Suspenseful and atmospheric, it will keep you questioning which is the biggest threat - nature or people, outside or in.”
 —Helen Cooper, author of The Downstairs Neighbor

 “Elisabeth de Mariaffi delivers the requisite heart-in-mouth moments of pure paranoia, but she balances these thrills with shrewd character studies and the odd nugget of wisdom.”—New York Times Book Review, on The Devil You Know

“Magnificent and daring . . . A gripping page-turner on one hand, The Devil You Know is also literary in its unwavering focus on the complex portrayal of the psychology of its main character, and in its illumination of broader issues around violence against women.”—Los Angeles Review of Books, on The Devil You Know